Our Work

Real Estate

Modern concrete and timber facade behind a mature tree

Brass figure lamp on a marble console beside framed etchings

Lamplight and marble need separate exposures.

Buyers shortlist a property from its photographs.

We shoot rooms the way they get lived in.

Hanging brass bells above a carved console in warm interior light

Brass bells | Calcutta, 2026

Cane headboard and brass sconce in a linen-dressed bedroom

Cane seating and chandelier in a colonial living room

Carved Ganesha lit within an arched marble niche

Black carved column above a low sofa in a modern living room

Bed against a painted palm mural beside an arched window

Lime-plastered corridor opening to a courtyard past clay urns

Four-poster bed seen through a doorway, louvred window beyond

Cane chairs and a marble table on patterned tilework

Curved console and framed pattachitra against bare plaster

Cane daybed beside a lit alcove of shelves

Framed Company School prints and a brass urn palm in a hallway

Painted almirah below a mounted stone rubbing in raking light

Bird-of-paradise in a stone urn beside a low charcoal sofa

Fluted headboard and pendant beside a fitted timber wardrobe

Open timber shelving above a dining table in a bright kitchen

Olive-dressed bed and reading light in a window-lit alcove

The Drawings

We start before the walls do

You come to us with elevations and a finish board, months before there is a room to photograph. We shoot that stage: drawings pinned to the wall, hands moving between samples. It gives your launch something to run while the site is still concrete.

Architects marking up a sketch pinned beside leather and linen samples

Concrete frame of a house under construction against open sky

The Build

The shell deserves a shoot

We come back while the scaffolding is up. A raw frame against open sky, then the same rooms once they are dressed. Buyers believe a project they have watched go up.

Start a project with us →